Taylor Guitars 410ce-L Dreadnought Acoustic Electric Guitar, Left Handed Review
Taylor Guitars 410ce-L Dreadnought Acoustic Electric Guitar, Left Handed Feature
- Solid Sitka Spruce Top
- Solid Ovangkol Back/Sides
- Dreadnought
- Cutaway; ES
- Hardshell Case Included
Sporting a Venetian cutaway and Taylor's Expression System electronics, this versatile Dreadnought is ready for anything. From your living room to the concert stage, it's ideal for medium to heavy strumming and flatpicking.
 | - Left-handed body
- 6-String Dreadnought with Venetian cutaway
- Better amplification with the Taylor Expression System
- Sitka Spruce top
- Ovangkol back and sides
- Ebony fretboard and bridge
- Tusq nut and saddle
- Chrome-plated Taylor tuners
- Adjustable truss rode
- Strung with Elixir Medium Gauge Strings with NANOWEB Coating
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Taylor's Dreadnought
The original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor's, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor's signature balance and clarity. Dreadnought six-strings shine as "plectrum" or "rhythm" guitars because they respond well to flatpicking or light-to-heavy strumming.
A Venetian cutaway in the left-handed 410ce Dreadnought body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.
 Solid sitka spruce top is joined with ovangkol sides and back for a tone similar to rosewood, but with the livelier sparkle of mahogany. |
Made from Sitka and Ovangkol
The top is made from Sitka Spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It's these attributes that make Sitka Spruce an ideal material not only for soundboards, but also for internal bracing. The Sitka top will produce a tone slightly brighter tone than Engelmann Spruce.
The back and sides of the left-handed 410ce are made from ovangkol, an attractive hardwood indigenous to tropical West Africa. Usually, its coloration runs from yellow-brown to a mottled olive-brown to dark brown, and it features stripes that run from gray to almost black. When it has significant purple coloration, however, ovangkols variegation and grain pattern closely resemble East Indian rosewood. It also shares some tonal characteristics with rosewood, but boasts the livelier "sparkle" found in such medium-density hardwoods as mahogany, walnut, and koa.
 The Taylor Expression System gives you a natural acoustic sound. |
Pure Reproduction of An Acoustic Sound
In the past, Taylor had relied on after-market pickups that employed traditional piezo technology. But the result was a distorted tone that failed to capture the natural acoustic richness and dynamics of a Taylor for live performance. After several years of research, Taylor designed their own groundbreaking pickup system that uses magnetics much like a microphone. The result is an exceptionally pure reproduction of an acoustic guitars natural sound. The Taylor Expression System delivers an amplified tone that will satisfy the most demanding pro player, yet makes it simple for anyone to plug in and sound great.
The Expression System incorporates three different magnetic sensors. Two strategically placed Dynamic Body Sensors affixed to the underside of the soundboard capture the complex nuances of the tops vibration, while a Dynamic String Sensor mounted beneath the fretboard extension registers string and neck vibration. The preamp boosts the pickup signal cleanly, without the need for artificial EQ "coloration." The balanced, low-impedance signal the Expression System produces can run direct into a mixer or PA in most situations, and is free of distortion at almost any volume.
Three simple, unintrusive onboard control knobs preserve the aesthetic beauty of your Taylor, yet allow you to easily adjust the volume, bass, and treble to suit your personal preferences and performance environment. When set flat, the tone controls add no color and produce the most natural sound. Or, add bass or treble (or subtract) to adjust for the room or personal tastes. The payoff is in the purity of high-fidelity amplified tone, unprecedented dynamic range, and extraordinary resistance to feedback and distortion. It enables all of the expressive subtleties of your playing to come through, just the way you intended.
Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods for the left-handed 410ce were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The left-handed 410ce pearl inlay and binding work was also done by hand, providing care and "touch" that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.
Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too "bassy," for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the left-handed 410ce is not compromised.
 Features large pearl dot inlays. |
Straight Necks Matter
Don't all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon--often resulting in a slight bump at the 14th fret--but not all guitars respond to it in the same way.
Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.
Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.
The bottom line: The NT Neck on the left-handed 410ce means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.
Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the left-handed 410ce guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.
